PANORAMA: An Exhibition of 3 Contemporary Irish Artists GALLERY UXVAL GOCHEZ , BARCELONA 13 - 31 MARCH 2025

Panorama - An Exhibition of 3 Contemporary Irish Artists – Aisling Conroy, Claire Halpin and Mark Redden at Uxval Gochez Gallery and Project Space in Barcelona in March 2025. The exhibition will present a curated installation of newly created artworks from each of the three exhibiting artists comprising painting, sculpture, sound and film responding to the space and context of the gallery.

Panorama, as title and concept of the show, as a human-made all-encompassing view. An artificially constructed scene that is so immersive as to completely captivate the viewer. It is something that could at one time offer serene views and a chance to calm the mind, or it could perturb with turbulent images of conflict and destruction. Either way, the scene is set to create a reaction, response or a reconsideration. 

In this vein, the practices of the three Irish artists; Conroy, Halpin and Redden offer different ways of working with similar global concerns. Their work shares holistic and compassionate responses to some of the world’s ongoing dilemmas: war, spiritual imbalance, environmental disaster. In their work these artists propose an alternate perspective - alternative histories,  viewpoints,  directions and narratives. 

From the chaos of everyday life, to the global storm we are experiencing, we are taken from the moment and reminded of something else that lies in the painted, the instinctive mark, gestural and primal, the worked surface. That in the smallest detail one can find the greatest answers, that what is overlooked is often what you were seeking.

The exhibition, Panorama, is the coming together of the work of artists who work in the realms of the collective consciousness, who seek a holistic connection with the world and create artworks that seek to steer a course through unsettling  times. That we might pause to consider and reflect on the whole body and the cells that constitute it, we might think of our part in the whole.

Official Launch: Thursday 13 March 19.30 - 21.30h

To Be Opened by Uxval Gochez

Artist in Conversation 19.30-20.00h (TBA)

For further queries, please contact: uxvalgochezgallery@gmail.com 

Opening hours: Tuesday to Friday - 11:00 to 14:00.

If you wish to visit us in any other time frame, please make an appointment: +34 627864011

Aisling Conroy: Primal Unveil, Acrylic on birch plywood, 55 x 45 x 2 cm, 2025

Mark Redden: The Reason Why, Oil on linen on plywood, 76 x 135 cm, 2025

Claire Halpin: Refugee Refuseé, Oil on Gesso on Board, 37cm X 57cm, 2024

Out of Time, The Black Church Print Studio, 13 - 26 Feb 2025

Out of Time

14 – 26 February 2025

Curated by Áine O’Hara with the support of Black Church Print Studio

Preview: Thursday 13 February 2025 from 6 – 8 pm at The Library Project, 4 Temple Bar, Dublin 2.

Masked Previews by appointment 11 and 12 February 2025.

Featuring selected BCPS and invited artists: Aisling Conroy, An Gee Chan, Caoimhe Dalton, Jamila Prowse, Paul Roy, Finnegan Shannon and Catherine Togher-Ward

Black Church Print Studio is delighted to present Out of time curated by Áine O’Hara, recipient of Black Church Emerging Curator Award 2025.

“Rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds” Alison Kafer

Time is often considered a linear process, we move from the past to the present and forward to the future. Crip time is a form of time travel. Disability and illness have the ability to pull us out of linear, progressive time with its standard life stages and thrust us into a realm of erratic acceleration, tedious delays and sudden endings. Disabled and sick bodies and minds do not often conform to a normative idea of time.

The medical terminology of illness attempts to reimpose linearity, discussing chronic conditions, progression, terminal stages, relapses and phase. But those living in crip time know that experience is never linear and quietly – or not so quietly – resent the calm straightforwardness of those who exist within the confines of normative time.

Aisling Conroy, An Gee Chan, Caoimhe Dalton, Jamila Prowse, Paul Roy and Catherine Togher-Ward have used printmaking, painting, sculpture, drawing, mark making, textiles and video work as an alternative way to keep time, to communicate and to connect. Time is recorded in movement and creation rather than scheduling, deadlines and hours.

Out of time invites the audience out of their daily lives into the world of crip time. Rather than us bending to meet commonplace capitalistic versions of scheduling, deadlines, hours, crip time offers you a glimpse into an alternate timeline. This exhibition aims to give space to sick and disabled creatives, as well as abled creatives who operate within a non normative idea of time and productivity.

This exhibition provides a physical space where rest is prioritised in the centre of Dublin city.

Exhibition continues until Wednesday 26 February 2025 and includes a number of associated events including workshops and talks.

Opening hours: Mon – Fri 11 am – 6 pm, Sat 12 – 6 pm.


This exhibition is kindly supported by Dublin City Council and the Arts Council.

GOMA’s 7th Annual Members Exhibition: 1st December 2023

GOMA’s 7th Annual Members Exhibition is launching this Friday 1st December 2023 at 6pm to 8pm.

Exhibition continues until the 3rd of January 2024. All welcome!⭐️

MORE INFO: www.gomawaterford.ie

WOMB II
Acrylic on wood
80 x 52 x 2 cm

TØN GALLERY: 36 ARTISTS HERE AND NOW: 3rd - 30th November 2023

36 Artists, Here and Now, curated by Helen Kirk and Mark Redden.

Launch night Friday 3rd November @ 5pm.
Exhibition runs until 30th November.

Artists include…

☆Suzanne Dolan
☆Moezee

☆ Aisling Conroy
☆Lorraine Lawlor
☆Pablo Marín Garcia
☆Sinead McKillican
☆Tina Poole
☆Maree Hensey
☆Nikki Foster
☆Ciaran Meister
☆Anna Marie Savage
☆Aisling Dunne
☆Kelan Molloy
☆Kevin McSherry
☆Richard Coghlan
☆Elize de Beer
☆Ishmael Claxton
☆Shane Hynan
☆Christopher Banahan
☆Julianne Guinee
☆Daria Ivanishchenko
☆Claire Halpin
☆Kam Catala
☆Kevin Judge
☆Paula Lemaine
☆Emily McGardle
☆Sheila Flaherty
☆Cynthia Fanning
☆Rachel Kenny
☆Desmond Kenny
☆Eva Vitkute
☆Sorcha McNamarra
☆Francesc Ruiz Abad
☆Tom Campbell

Source: https://www.instagram.com/p/CzTOavLs7fp/

Punch & Fable: Interview #4: Aisling Conroy

In August 2021 I did a short interview with Steph Sheehan of Punch & Fable it was only available to subscribers at the time and now it has been published for all to read.

☆Link below☆ Lovely to be alongside the other fierce women/ artists/ creators being interviewed by Steph☆

Thanks to Steph Sheahan for inviting me to interview and asking some lovely questions, I really enjoyed it. Check out the #Punchandfable website to see all the latest interviews, art, food, yoga, poetry by P&F, so inspiring!

Read interview HERE

ALTER / ALTAR, solo show, 12 Sept - 02 Oct 2021, Olivier Cornet Gallery

The Olivier Cornet Gallery is delighted to present this solo show by the artist Aisling Conroy, a member of the AGA group.


'ALTER / ALTAR'

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ALTER / ALTAR is a response to the current climate of transition, universal unrest and shift in the collective consciousness. In this new work, the artist attempts to create types of multi-hyphenated worlds that glean and appropriate ideas from her ongoing interest in Eastern and Western philosophies, through painting and print.

Conroy seeks to compare these multihyphenates to the new multi-hyphenated ways in which we now live, taking on numerous roles and titles often necessary to survive and advance. These new ways can often create chaos, fragmentation and even darkness before they manifest into something more transformative. There is a symbiosis happening here: when one 'alters' or changes, one also needs to purge and offer up an old part of themselves (altar). Conroy incorporates several motifs of various doctrines and philosophies (i.e. Zen Buddhism, Tantric Hinduism, Shamanism, the Occult) to simulate these shifts. The artist's process is intuitive, repetitive and ritualistic, constructing paintings that could be interpreted as a type of incantation to past lives and new beginnings.

The show will run until 02 October 2021.

For more info visit: www.oliviercornetgallery.com

Coverage/Reviews:

EILE Magazine, 23 August 2021

The Gay News, 23 August 2021

Dnote, 24 August 2021

'Aisling Conroy is Taking to The Altar, Louisa Klatt, Radius Magazine, The University Times, 7 September 2021

'The Best New Exhibitions To See This Month', Penny McCormick, The Gloss, 8 September 2021

On Paper

On Paper 20 December 2020 - 14 February 2021
A Winter group show at the Olivier Cornet Gallery, curated in collaboration with Art Consultant and Producer Jackie Ryan.
Artists: Annika Berglund, Aisling Conroy, Hugh Cummins, Mary A. Fitzgerald, John Fitzsimons, Jordi Forniés, Conrad Frankel, David Fox, Claire Halpin, Nickie Hayden, Eoin Mac Lochlainn, Miriam McConnon, Sheila Naughton, Yanny Petters, Kelly Ratchford, Vicky Smith and Susanne Wawra
Jackie Ryan has also selected work by the following artists for this special group exhibition: William Crozier, Paul Furneaux, John Keating, Harry Kernoff, Eamonn O'Doherty and Barbara Rae.

(L) Greater than us , three colour screen print and collage on 220g fabriano, 50 x 36 cm. Limited edition of 5; Aisling Conroy (R) The Nature of Things - nine colour screen print (incl. gold) on 220g fabriano, 50 x 36 cm. Limited edition of 8; Aisli…

(L) Greater than us , three colour screen print and collage on 220g fabriano, 50 x 36 cm. Limited edition of 5; Aisling Conroy

(R) The Nature of Things - nine colour screen print (incl. gold) on 220g fabriano, 50 x 36 cm. Limited edition of 8; Aisling Conroy

Jackie Ryan has just celebrated 21 years of collaboration with Irish artists on projects, commissions, and exhibitions in Ireland and around the world. We are delighted to have invited her to co-curate this exhibition of works on paper for our winter show.

"Fragility, Endurance, Resilience

Art on paper is one of the oldest art forms, and yet still considered by many to be fragile or ephemeral. Museums happily display three dimensional sculpture and oil paintings in the assurance that their condition will not deteriorate through the museum atmosphere or light. The irony is that many museums largest collections are works on paper, which are preciously stored away without engagement with the public. The growth of digital engagement with art is changing that. Covid-19 is changing that. Our world and the way we appreciate works on paper will be very different in 2021 and beyond.

I began to discuss my love of works on paper, and the beauty of fine art print, with gallery owner Olivier Cornet long before Covid-19 appeared in our lives. However, we did debate audience engagement with art online, and breaking down many long held stereotypes that somehow art was less tangible if seen through a screen. We use the phrase regularly about looking at art ‘in the flesh’ up close and personal, without really thinking about why we are giving that more importance than physically being with the artifact.

The past 8 months has seen the Olivier Cornet Gallery (OCG) alongside galleries worldwide embrace new ways we can engage with art through video clips of the process of art being made, through online viewing rooms and in the OCG’s case through their novel 3D Virtual Space.

So much great art emerges from the fragility of change. In the months ahead Olivier and I will collate a collection of works on paper, works that can be shared up close and personal through digital means, and which embody the resilience that underpins so much art. We will look at the longevity of works on paper, and the endurance of colour using pigments bound with oil, and inks which have outlived so many modern art movements. In the months ahead, watch and wait. We will unfold works on paper for the world to enjoy in a virtual and physical engagement which will highlight fragility and uphold endurance, and champion resilience. After all, without resilience there would be no art."

Jackie Ryan, 4 December 2020

Launch of the show: Sunday 20 December, 12 noon to 5pm at the Olivier Cornet Gallery.

Availability of the show: Due to Covid19 Level 5 restrictions, the show is available in the OCG 3D Virtual Space. Click here to view or/and download the exhibition's catalogue/pricelist.

For more info, visit www.oliviercornetgallery.com

The Morphing Feminine, a Bloomsday 2020 group show

The Morphing Feminine, is the latest show at the Olivier Cornet Gallery. This is a visual artists's response / reaction to -and possibly- re-reading of- various aspects of the feminine in James Joyce 's novel Ulysses and in the author's life. This art exhibition is part of this year's Bloomsday Festival. This exhibition will run until 20th of July 2020.  

The title of the exhibition is a reference to Dr Caroline Elbay's talk at the James Joyce Centre on 4th November 2019:“Throwing Shapes: The Morphing Feminine in Joyce

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A Portrait of the Artist as a Young Bean [ban]: Chapter 3

; acrylic on wood.

A Portrait of the Artist as a Young Bean [ban] (meaning ‘woman’ in Gaelic*)  

In referencing James Joyce's alter ego Dedalus, this work reimagines the story according to a woman's perspective (“Bean”[ban] meaning woman in Gaelic).

In Joyce's first novel, A Portrait of the Artist as a Young Man, he traces the religious and intellectual awakening of a male protagonist Stephen Dedalus who is also an important character in Ulysses. Based on the Greek mythological figure, Daedalus was seen as a symbol of wisdom, knowledge and power. In this painting I’ve represented the woman as the icon, the revered in society as opposed to what was in the past a male domain, containing male perspectives and male portraits as it were. 

The work is an abstract representation of the female portrait. On one hand we see her fragmented and constrained; commenting on a woman’s place in society and the obstacles she encounters; on the other hand we see strong bold colours; contrasting shapes; light and dark; soft and hard which in all strike as an alternative visual rendition of the woman's chapter to Joyce's Alter Ego, Dedalus - a complex symbol of female wisdom, knowledge and power.

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Circe's Spell: Bloom and Dedalus

; acrylic and nylon thread on board.

Circe’s Spell: Bloom and Dedalus

This work refers to the chapter Circe in Joyce’s Ulysses. In Greek mythology, Circe was a Sorceress, and represented by the gender shifting Bella Cohen in Ulysses. In this chapter, Bloom and Dedalus face their demons and enter the dark underworld (Nighttown), where they encounter the dominating Bella Cohen (Circe). The diptych is a type of sigil magic, representing female power and energy. Both upright triangles represent the masculine, as well as being a symbol of the occult, referring to Joyce’s own personal interest with the occultism, theosophy; and the study and practice of magic. 

(Ref: Carver, Craig. “James Joyce and the Theory of Magic.” James Joyce Quarterly, vol. 15, no. 3, 1978, pp. 201–214).

Olivier Cornet Gallery, 3 Great Denmark Street, Dublin 1, D01 NV63, Ireland

info@oliviercornetgallery.com

087 288 7261

Tues to Friday: 11am - 6pm (8pm on Thurs) 

Sat & Sun: 12 noon - 5pm